In Euripides' tragic play Medea,
the title character lives in Corinth with her husband, Jason, and their two
children. As the play begins, it is apparent that the conflict has already
begun, as Medea is lamenting to a chorus of women regarding the infidelity of
her husband. Jason has wed the daughter of Creon, the king of Corinth.
Obviously, Medea is in a state of distress, as the man she loves has betrayed
her. She makes repeated remarks about her misery and the fact that she “has
suffered.” (pages 5, 6, 10) Her reactions to this anguish, however, are
entirely uncalled for. Though Medea is well aware of this, she seems to have to remorse for her actions.
Medea reveals her plans of
retaliation and vengeance to the chorus, stating that she will “make away” with
her enemies “by poison.” (page 13) She then ponders the consequences of
murdering Creon, Jason, and his new bride, acknowledging that no one would
accept her into their land or provide her refuge. (page 13) Obviously, she
knows that any action she takes to bring about the death of anyone involved will
reflect negatively upon her and she will be held responsible. Nonetheless, she
proceeds to kill not only Jason, Creon, and the bride, but also her own
children. She kills the children out of spite, as they are, in her eyes, mere
pawns in her game of life.
Jason later confronts Medea, begging
to hold the bodies of his murdered sons, and Medea refuses. She claims that
Jason’s “grief is gain when [he] cannot mock it.” (page 44) These are obviously
the statements of a person unhinged, with no remorse or concept of empathy. She
is incapable of grieving for the loss of her own children because she is
relishing in the pain she has caused her husband.
Revenge is Medea’s motive, and she is blind to
any and all pain she causes during her attempts to reach her goal. This
‘tunnel-vision’ and lack of compassion is indicative of certain sociopathic
behavior, which would also explain the history between Medea and Jason (Medea
wed Jason after she killed her own brother and betrayed her father). While this
may be seen as the ‘typical,’ irrational conduct of hormonal women, it could
also be symptomatic of a more distinctive personality problem.
Works Cited:
Euripides. Medea. (Rex Warner, Trans.). New York: Dover Publications, Inc. 1993. Print.
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